O Dê emprestou a biografia do Eric Clapton que por sinal é um show e não uma história, e num dos capítulos o cara conta que tudo que fez com que se embrenhasse nesse mundo da música e do Blues é por causa do Alex!!!!!!!!!!!!!!
O deus branco da guitarra não se espelhou na negrada?
Não foi Buddy Holly?
Muddy, BB, Howlin Wolf , etc e tal?
Sim, foram tb, mas o cara mesmo que impulsiona sua entrada de cabeça e o transforma pra nunca mais ser o mesmo é sim Alexis Korner ("palavras dele e não minhas"e aqui pra deleite daqueles que entendem um pouco de música e querem entender um pouco mais de história o disco que considero o mais próximo da transição; não por data mas por estilo mesmo, e estiloso ele é.
Espero curtam como eu, as postagens andam meio espaçadas, primeiro que só faço qdo tô com tesão de fazer, e não por compromisso de "x"por dia ou semana.
Até havia me comprometido a postar um a cada dois ou três dias mas não foi e não está sendo possível e por isso vou postando conforme dá o tempo e tb a cabeça, espero compreendam que isso aqui num é "um lujinha" e sim um lugar pra todos se sentirem bem inclusive eu.
A major influence on the sound of the British music scene in the 1960s, Korner was instrumental in bringing together various English blues musicians.
Alexis Andrew Nicholas Koerner was born in Paris to an Austrian Jewish father and a half-Turkish half-Greek mother,and spent his childhood in France, Switzerland and North Africa.
He arrived in London in 1940 at the start of World War II.
One memory of his youth was listening to a record by black pianist Jimmy Yancey during a German air raid. Korner said, "From then on all I wanted to do was play the blues."
After the war, he played piano and guitar (his first guitar was built by friend and author Sydney Hopkins, who wrote Mister God, This Is Anna), and in 1949 joined Chris Barber's Jazz Band where he met blues harmonica player Cyril Davies.
They started playing together as a duo, formed the influential London Blues and Barrelhouse Club in 1955, and made their first record together in 1957.
Korner made his first official record on Decca Records DFE 6286 in the company of Ken Colyer's Skiffle Group.
His talent extended to playing mandolin on one of the tracks of this rare British EP, recorded in London on 28 July 1955.
Korner brought many American blues artists, previously unknown in Britain, to perform.
The group included, at various times, such influential musicians as Charlie Watts, Jack Bruce, Ginger Baker, Long John Baldry, Graham Bond, Danny Thompson and Dick Heckstall-Smith.
It also attracted a wider crowd of mostly younger fans, some of whom occasionally performed with the group, including Mick Jagger, Keith Richards, Brian Jones, Geoff Bradford, Rod Stewart, John Mayall and Jimmy Page.
One story is that the Rolling Stones went to stay at Korner's house late one night, in the early 1960s, after a performance.
They entered in the accepted way, by climbing in through the kitchen window, to find Muddy Waters' band sleeping on the kitchen floor.
Although Cyril Davies left the group in 1963, Blues Incorporated continued to record, with Korner at the helm, until 1966.
However, by that time its originally stellar line-up and crowd of followers had mostly left to start their own bands.
"While his one-time acolytes the Rolling Stones and Cream made the front pages of music magazines all over the world, Korner was relegated to the role of 'elder statesman'."
Although he himself was a blues purist, Korner criticised better-known British blues musicians during the blues boom of the late 1960s for their blind adherence to Chicago blues, as if the music came in no other form.
He liked to surround himself with jazz musicians and often performed with a horn section drawn from a pool that included, among others, saxophone players Art Themen, Mel Collins, Dick Heckstall-Smith, Lol Coxhill,Dick Morrissey, John Surman and trombonist Mike Zwerin.
On 17 October 1967, Korner interviewed the Jimi Hendrix Experience for the BBC radio showTop Gear. Some of these tracks, including audio of Korner himself, appear on the Hendrix double-CD BBC Sessions, including Korner playing slide guitar on "(I'm Your) Hoochie Coochie Man".
While touring Scandinavia he first joined forces with guitarist and singer Peter Thorup, together forming the band New Church, who were one of the support bands at the Rolling Stones Free Concert in Hyde Park, London, on 5 July 1969.
Jimmy Page reportedly found out about a new singer, Robert Plant, who had been jamming with Korner, who wondered why Plant had not yet been discovered.
Plant and Korner were in the process of recording a full album with Plant on vocals until Page had asked him to join "the New Yardbirds", aka Led Zeppelin.
Only two songs are in circulation from these recordings: "Steal Away" and "Operator".
Alexis Korner gave one of his last radio interviews to BBC Midlands on the Record Collectors Show with Mike Adams and the Late Chris Savory.
Another instrumental called "Brother" was used as the theme to the BBC Radio 1 Top 20/40 when Tom Browne/Simon Bates presented the programme in the 1970s.
This was the period of Korner's greatest commercial success in the UK.
Korner also played on B.B. King's In London album, and cut his own, similar "supersession" album; Get Off My Cloud, with Keith Richards, Peter Frampton, Nicky Hopkins and members of Joe Cocker's Grease Band.
In the mid-1970s, while touring Germany, Korner established an intensive working relationship with bassist Colin Hodgkinson who played for the support act Back Door. They would continue to collaborate right up until Korner's death.
In the 1970s Korner's main career was in broadcasting.
In 1973 he presented a unique 6-part documentary on BBC Radio 1, The Rolling Stones Story, and in 1977 he established a Sunday-night blues and soul show on Radio 1, Alexis Korner's Blues and Soul Show, which ran until 1981.
He also used his gravelly voice to great effect as an advertising voice-over artist. In 1978, for Korner's 50th birthday, an all-star concert was held featuring many of his above-mentioned friends, as well as Eric Clapton, Paul Jones, Chris Farlowe, Zoot Money and others, which was later released as The Party Album, and as a video.
In 1981, Korner joined another "supergroup", Rocket 88, a project led by Ian Stewart based on boogie-woogie keyboard players, which featured a rhythm section comprising Jack Bruce and Charlie Watts, among others, as well as a horn section.
They toured Europe and released an album on Atlantic Records.
He played in Italy with Paul Jones and the Blues Society of Italian bluesman Guido T
Korner married Roberta, daughter of art critic Robert Melville.
He died of lung cancer in London on 1 January 1984 and was survived by a daughter, musician Sappho Gillett Korner, and two sons, guitarist Nicholas (Nico) Korner and sound engineer Damian Korner.