The Dynamic Hepnotics were an Australian soul, blues and funk band which formed in 1979 and disbanded in 1986. Mainstay, lead vocalist and front man, "Continental" Robert Susz formed the group in Sydney. They had chart success on the Australian Kent Music Report Singles Chart with a top 5 single, "Soul Kind of Feeling" in 1984. It was followed by "Gotta Be Wrong (Way to Love)" which reached the top 20 in 1985. Their album, Take You Higher, reached the top 20 on the related Albums Chart in June. In 1986, "Soul Kind of Feeling" won the APRA Music Award for 'Most Performed Australasian Popular Work'.
In a genre of music dominated by sales of compilation records, The Best of Acid Jazz is one of those rare records that lives up to its title. For anyone new to the world of Acid Jazz (or unaware of exactly what "Acid Jazz" means), this record provides a pleasant mix of sounds from various elements of the Acid Jazz scene. There is not a bad song to be heard. The tight sounds one should expect from a quality Acid Jazz issue are mixed here with powerfully soulful vocals to create classic sounds throughout this record. If you are exploring Acid Jazz for the first time or simply want to expand your horizons, I cannot recommend better first step than The Best of Acid Jazz.
Tuatara is a Seattle-based instrumental music group featuring members of R.E.M., The Minus 5, Critters Buggin, The Chills and the Screaming Trees.
The band was formed in 1996 by R.E.M.'s Peter Buck (guitar), Barrett Martin of the Screaming Trees (drums and percussion), Justin Harwood of Luna and The Chills (bass guitar, double bass), and Skerik of Critters Buggin (saxophones). The band was named, at Harwood's suggestion, after a reptile from his native New Zealand.
Originally a project to get musician friends some soundtrack work, the project evolved into an active band, doing occasional live shows, and recording their first album Breaking the Ethers, encompassing a sound influenced by various styles of music, from Lebanese and Asian music to more traditional Western folk music.
The band expanded in 1998, adding guitarist Scott McCaughey on guitar, Steve Berlin on saxophone and flute, Craig Flory on clarinets and saxophones, Elizabeth Pupo-Walker on congas and other percussion, and Mike Stone on drum kit; with Stone now on drums, Barrett Martin focused more on vibes and marimba. This expanded line-up released Trading With the Enemy, which added more exotic instrumentation while sticking to the familiar formula of borrowing from a variety of styles.
The band had eleven members at the time of 2001's Cinemathique, which was intended to fulfill the original desire of creating music for soundtracks. A remix album, The Loading Program, was released in 2003.
McCaughey and Buck are also permanent members of The Minus 5, and Martin has contributed to their performances and recordings as well.
Tuatara released a new double album on August 15, 2014 called Underworld which featured Mike McCready of Pearl Jam.
King's last Shelter album was his most elaborately produced, with occasional string arrangements and female backups vocals, although these didn't really detract from the net result. Boasting perhaps heavier rock elements than his other Shelter efforts, it was characteristically divided between blues standards (by the likes of Willie Dixon and Elmore James), Leon Russell tunes, and more R&B/soul-inclined material by the likes of Ray Charles and Percy Mayfield. It's been reissued, along with his other Shelter albums, on the King of the Blues anthology.
Liquid Sound Company are an American acid-psychedelic rock band, formed in the late 1990s.
Formed by John Perez in 1996, the group originates from Arlington, Texas. Perez has mainly been busy playing heavy doom with bands Solitude Aeturnus and Sorrows Path, adding to the band's lack of stability over the years as a steady, active band. Rockadelic Records released the debut album 'Exploring The Psychedelic' in 1996 where Perez is supported by Teri Pritchard (bass) and drummer Jason Spradlin. The band offers quite diversified songs with a pretty minimalistic sound but also features heavy fuzz guitars, oriental influences and hypnotic elements. They would release another effort in 2002 named 'Inside The Acid Temple' - this time with Moog support by new bass player David Fargason. The album was later re-released in 2005 by German Nasoni label on vinyl.
The group features psychedelic influences from west coast psychedelic to the heavier Hawkwind territory. Noting Dead Flowers and Agitation Free as influencing artists.
Liquid Sound Company seemed to have disbanded, but came back in 2011 with a new album 'Acid Music For Acid People' on Nasoni, made of studio outtakes and two extended live cuts. Liquid Sound Company was signed with Brainticket Records as of 2010.
The band members are, or have been:
John Perez, founder and lead guitarist
Jason Spradlin, drummer
Teri Pritchard, bassist
David Fargason, bassist
Alan Wise
Mark Cook
with the guest musicians:
Matt Miller,
Sylvia Perez.
along with various other collaborators, contacts listed are:
Keziah Jones (born Olufemi Sanyaolu on 10 January 1968) is a Nigerian singer-songwriter and guitarist. He describes his musical style as "Blufunk", which is a fusion between raw blues elements and hard, edgy funk rhythms. Also his Nigerian roots in Yoruba music and soul music can be considered a major influence on his sound.
He is known for his distinctive style of guitar playing, including his percussive right-hand technique which is similar to a bass guitarist's slapping technique.
Olufemi Sanyaolu a.k.a. Keziah Jones is the son of Oshodolamu Sanyaolu; Chief of the Yoruba people and successful industrialist and Abiola Sanyaolu. Born on 10 January 1968, Jones spent his early childhood in a large family in a part of Nigeria in the city of Lagos. From a young age he was being prepared to follow his father's footsteps in the family concern and was expected to have an academic career. Therefore, his father enrolled him in a Public School in London and he left Nigeria at the age of eight to be educated in England.
"I had to find a way out of all that, and music was it!"[citation needed] By the age of 13 he had discovered the old school piano and taught himself how to play and write songs. Three years later he switched to the guitar, increasingly neglecting his studies. After scraping through exams he went against his father's wishes and family tradition even more by skipping school and busking in the streets, clubs and London Underground, constantly avoiding the police.
Jones led a bohemian lifestyle for several years instead of the one envisaged for him. "Lose all time, love your mind, free your soul!" were words from his song Free Your Soul. Moving from London to Paris and back again frequently accompanied only by his guitar, the young Jones acquired a reputation as a talented musician and charismatic performer with a unique "hard funk" style. In 1990, whilst busking in London's Portobello Road, Keziah was discovered by composer and ex-keyboard player for Sailor and Culture Club, Phil Pickett quickly evolving into full-time management of the artist. Pickett signed Jones to a long-term songwriting agreement with Hit & Run Music Publishing ( photo Billboard 1990) who's executive, Dave Massey, had recorded songs by Jones when at Chrysalis Music. Massey continued to be involved in Keziah's career for the next 8 years. After a brief but near disastrous flirtation with Capitol Records in the USA, in 1992, Pickett signed Keziah to Emmanuel de Buretel's Delabel label for his debut album Blufunk Is a Fact. Recording in London with producer Kevin Armstrong, included in the worldwide success of the project was Keziah's first single "Rhythm Is Love". Jones attributes his Parisian subway experiences as highly instrumental to his by now blossoming career in his official biography.[1] By 2008, Jones had recorded eight albums and one DVD. After performing many shows and festivals throughout the world between 2009 and 2012, late in 2012 Keziah Jones was back in Lagos preparing to record his new studio album set for worldwide release on Because Music in 2013
2Cellos (stylized 2CELLOS) is a Croatian cello duo, consisting of classically trained Luka Šulić and Stjepan Hauser. Signed to Sony Masterworks since 2011, they released three albums and play mainly instrumental arrangements of well-known pop and rock songs. The duo perform internationally and have been featured on several US TV shows including Glee and The Bachelor.
The band was formed in 1993 by Peter Kubik and Thomas Tannenberger. After the release of several demos, original vocalist Tharen (Alexander Opitz) left the band and was replaced by Silenius (Michael Gregor), who recorded vocals for all Abigor releases until the recording of Channeling the Quintessence of Satan during which he opted to leave the band. Thurisaz, who had been in the thrash metal band Lost Victim together with T.T. in the 1980s, joined the band and finished recordings on Channeling the Quintessence of Satan. In late 1999, T.T. left the band for various reasons (ranging from personal problems to being fed up with what once was the "scene"). After his departure, Abigor released two more albums before breaking up in 2003.
In April 2006, P.K. and T.T. decided to join forces again. During the following year, Fractal Possession was released. The band was scheduled to release a split EP in 2008 with French black metal group Blacklodge. In connection with this release, Abigor was supposedly cooperating with Norwegian experimental artist Zweizz.
Early works by Abigor were loosely inspired by J. R. R. Tolkien's The Lord of the Rings. The album cover on Orkblut - The Retaliation is a collage of 2 paintings originally made by Lord of the Rings fantasy artist Ian Miller.
The album cover on Channeling the Quintessence of Satan was originally by the German printmaker/artist Albrecht Dürer. (The Knight, Death and the Devil, 1514)
Most Abigor releases were released by Napalm Records.
In a 2007 interview, P.K. explained the band's songwriting process:
"T.T. and I are responsible for the music, A.R. will do the lyrics and vocals, that’s how it works. I create riffs and record it, T.T. too, we send us files, create rough song-structures till we’re satisfied with the result of a song/album-“concept” then we start the recordings at T.T.’s Hell-Lab Studio."
"Já foi dito que o tempo cura todas as feridas. Não concordo. A ferida continua. Com o tempo, a mente se protege da insanidade cobrindo a ferida com cicatrizes, e a dor diminui, mas nunca desaparece." Rose Kennedy
Aninha
"guerreira amada...!!!!"
Mel
....number one....
Alita de Aponcho
..tomara goste de Chet Baker...
Ao Mestre "Manito"
Cara sinto uma puta saudade de vc que chega a doer!!!!
"Rock Fly - é só clicar....."
Não se odeia quando pouco se preza, odeia-se só o que está à nossa altura ou é superior a nós.
