Como já deve ser do conhecimento de todos que aqui visitam, minha paixão pelo Blues remonta longa data e tem uma explicação eu acho.Desde jovem incursionava por todos os estilos que surgiam e existiam nos finais dos 60 inicio dos 70 e isto me trouxe uma forma diferente de enxergar as músicas e seus acordes, o que possibilitou não me prender em um só nicho e sim ampliar meus horizontes.
O que não sabia é que tudo isso me levaria a uma jornada de volta ao que chamo de "o inicio de tudo" e claro que esta frase não é minha mas no Blues nada tem dono e nada é de ninguém sendo tudo de todos.
Aí fui pego pela magia dos acordes das esquinas das grandes cidades feitos por mestres hoje conceituados e até idolatrados mas que tocavam por uns trocados pra comer; mas mesmo assim como BB King disse na sua igreja, qdo tocava spirituals, todos louvavam mas não deixavam uma moeda e ao tocar o Blues sempre enchia sua bolsa de moedas e o que era isso senão a verdadeira religião e o verdadeiro amor?
Este é o Blues e Charles Musselwhite não é diferente, ao contrário é mais um mestre e saído da pobreza chegou ao ápice da fama e do respeito e abaixo segue na íntegra a bio do seu blog oficial e a foto de sua nova banda, mas este trabalho é meu, e pra mim um dos melhores que o velho "gaitista" já produziu, aproveitem enquanto dura, prq é uma aula de música.
The Well is the first full-band recording in Musselwhite’s long career for which he wrote or co-wrote every track on the album, and it is the most personal and the emotionally deepest cycle of songs he has ever created. The Well was recorded at Los Angeles’ legendary Sunset Sound with guitarist Dave Gonzales (Paladins, Hacienda Brothers), bassist John Bazz (The Blasters) and drummer Stephen Hodges (Tom Waits, Mavis Staples), and was produced by Chris Goldsmith (Ruthie Foster, Grammy-winning Blind Boys of Alabama). The revealing, autobiographical songs recall specific events and places in Musselwhite’s amazingly colorful life. His conversational vocals and masterful harmonica work are perfectly matched with the stories he tells and the near-telepathic musicianship behind him. Simply put, The Well is Charlie Musselwhite at his very best.Central to the album are stories looking back at hard times and personal healing. Dig The Pain recalls his drinking days, while The Well tells of his recovery. In Cook County Blues, he wryly remembers his short stint behind bars. The most poignant song on the album, Sad And Beautiful World — a duet with Charlie’s close friend, legendary vocalist Mavis Staples — is his response to the tragic murder of his 93-year-old mother in her own home (and the house Charlie grew up in) during a burglary. Each track on The Well is a chapter from Charlie’s life, and in the liner notes to the CD he offers some very personal insights into the meaning behind the songs.
According to Alligator president Bruce Iglauer, having Musselwhite back on the label is pure pleasure. “I’m thrilled to welcome Charlie back to the Alligator Records family. He’s a real icon of American roots music, a brilliant harmonica player and a true storyteller as a vocalist and songwriter. Charlie’s a terrific guy to work with, a genuine road warrior who is out there pleasing the fans night after night. We’re looking forward to renewing a great relationship.” And Musselwhite couldn’t agree more, saying, “I don’t think anybody is happier than I am being back in the Alligator family. It feels good to be home.”Musselwhite’s personal history is the kind of story a novelist would sell his soul for, but his indomitable spirit is crafted by him alone. Tough times have been a huge part of his life, and have shaped him into a true working-class hero. His fans include young hipsters, Vietnam veterans, convicts, bikers, jazz aficionados, aging hippies and hard-core blues fans. He is a larger-than-life musical legend, writing and singing what he calls, “music from the heart.” According to Musselwhite, “It’s about the feeling, and about connecting with people. And blues, if it’s real blues, is loaded with feeling. And it ain’t about technique, either. It’s about truth, connecting to the truth and communicating with the people.”
Born into a blue collar family in Kosciusko, Mississippi on January 31, 1944 and raised by a single mother, Musselwhite grew up surrounded by blues, hillbilly and gospel music on the radio and outside his front door. His family moved to Memphis, where, as a teenager, he worked as a ditch digger, concrete layer and moonshine runner. Fascinated by the blues, Musselwhite began playing guitar and harmonica. It wasn’t easy growing up a poor, white boy in Memphis, even among the rich musical influences the city offered. He felt like an outcast and a stranger (themes that have informed, inspired and haunted his music to this day). As a teen, Musselwhite attended parties hosted by Elvis Presley and hobnobbed with many of the local musicians, including Johnny Cash and Johnny Burnette, but the celebrities young Charlie sought out were Memphis’ veteran bluesmen like Furry Lewis, Will Shade and Gus Cannon.
Following the path of so many, Musselwhite moved to Chicago looking for better paying work. While driving an exterminator truck as a day job, Charlie lived on the South Side and hung out in blues clubs at night, developing close friendships with blues icons Little Walter, Big Walter, Sonny Boy Williamson, Big Joe Williams, Muddy Waters and Howlin’ Wolf. Before long, he was sitting in at clubs with Muddy and others, building an impressive word-of-mouth reputation. Soon after, Charlie was being paid to play in the same South Side neighborhood. Noted blues journalist Dick Shurman says, “The black Chicago blues artists all liked Charlie as a person. They felt that he was one of them — a southern country boy with a deep affinity for the blues.”His first recording, under the name Memphis Charlie, was with Big Walter Horton on the famous Vanguard Records series, Chicago/The Blues/Today!. Signing with Vanguard, Musselwhite (along with Paul Butterfield who was as urban as Charlie was rural) brought the amplified harmonica blues to a new audience of young, white rock and rollers, who discovered that Charlie personified the cool and hip counter-culture icons they admired.
After the release of his first full-length LP — Stand Back! Here Comes Charlie Musselwhite’s South Side Band — he was embraced by the growing youth counter-culture and the newly emerging progressive rock FM radio stations, especially on the West Coast. His iconic status established, he relocated to San Francisco, often playing the famed Fillmore Auditorium. Over the years, he has released albums on a variety of labels, ranging from straight blues to music mixing elements of jazz, gospel, Tex-Mex, Cuban and other world music, winning new fans at every turn. He has been touring nationally and internationally for four decades and is among the best-known and best-loved blues musicians in the world.
Musselwhite has guested on numerous recordings, as a featured player with Tom Waits, Eddie Vedder, Ben Harper, John Lee Hooker, Bonnie Raitt, The Blind Boys of Alabama, INXS and most recently Cyndi Lauper. He has shared stages with countless blues and rock musicians. He was inducted into the Blues Foundation’s Blues Hall Of Fame in 2010, has been nominated for six Grammy Awards and has won 24 Blues Music Awards. The San Francisco Chronicle says, “Charlie Musselwhite’s harmonica playing shows taste, bite, restraint and power. He’s one of the best, and as a bluesman, he’s as real as they come.”Charlie Musselwhite today is as vital and creative as at any point in his long career. DownBeat calls him, “the undisputed champion of the blues harmonica.” In addition to his always-busy schedule, he hosts a weekly radio show, “Charlie’s Backroom,” on KRSH-FM in Santa Rosa, California (streamed at KRSH.com Sundays at 10:00am PST). He considers himself a lifelong learner and is constantly perfecting his craft. With The Well, Charlie Musselwhite returns with the strongest, most intimate album of his career — a powerful, personal collection of songs. Musselwhite’s blues, imparting his hard-won knowledge and working class wisdom, are a window into the deep well of his Mississippi soul.
Enjoy!!!!!!!!!!!
